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Behavioral-Based Interviewing: Tips from an Expert

Scott Weighart
Senior Coordinator of Cooperative Education
Northeastern University

For the last 14 years, I have helped thousands of Northeastern University co-op students strategize in preparation for interviews.  One major change over that time has been the increasing emphasis that employers have placed on behavioral-based interviewing (BBI).  When I started here in 1995, none of our employers asked BBI questions.  Within a few years, though, we started seeing some major firms adopt this approach.

All of these years later, many more organizations ask at least some BBI questions in an interview.  Many, though, still don’t ask any such questions.  Regardless, I now require my students to prepare five behavioral-based “stories” to use as part of their work in my co-op preparation class.  I tell them that while it’s important to be ready for a possible BBI question, it’s even more critical to understand that BBI stories can be used in any job interview to great advantage.

Why is this the case?  Let’s say an interviewer starts off with the typical “tell me about yourself” question.  The candidate needs to answer this vague, fuzzy question with a sharp, specific answer in which she highlights her strengths as they relate to that employer’s need for the job at hand.  But what if the next question is another open-ended question—perhaps asking the candidates to identify strengths.  Consider a rather sarcastically positioned answer to that question: “From your job description, I see that you are seeking a quick learner who can multitask and work at a fast pace.  By amazing coincidence, those happen to be my biggest strengths!  Voila, here I am, the perfect job candidate!”

In contrast, a vivid, specific behavioral-based story can highlight that you really have a competency that the employer seeks.  You would have to be a pathological liar to be able to fabricate a detailed story packed with your emotions, thoughts, and actions throughout a specific chain of events.  And if you think through your range of experiences in advance, you can weigh which of your stories is going to show you at your best.  So let’s consider the principles of what makes for a good BBI story.

Choosing Your Best Experiences
It’s important to understand how to develop a small arsenal of stories to use in your interviews.  Here are some key principles to bear in mind as you sift through the possibilities.

1.  Conflict is interesting. Whether you’re reading a Harry Potter book or a Charles Dickens novel, whether you’re watching a Hollywood blockbuster or an intellectual French film, all good stories start with a conflict or problem.  Conflict is interesting, and any good story presents us with some sort of dilemma and intensifies it before we see how the protagonist resolves the conflict.

The same is true with a good BBI story.  The interviewee is the protagonist, so we want to keep the focus on him.  We want to follow him through some sort of crisis that shows an “extreme close-up” on his actions toward resolving it favorably.  And we want to root for the hero of the story, so we need enough details to care about him.  Pondering different conflicts or challenges you’ve experienced and handled effectively is a great place to start.

2.  BBI stories don’t have to come from previous job experiences. If you have great stories that are from directly relevant job experience, that’s ideal.  But don’t lament if you lack related experience.  Pick stories that show you at your best, whether they are from retail jobs, classroom experiences, extracurricular activities, volunteer jobs, high school sports, whatever.

I have seen many terrific stories from students who worked hard to make a sports team or to play a key role on a team.  Outward Bound is a great experience, as is, say, working for Habitat for Humanity.  Succeeding in a tough class can make for a good story, as can just about any menial job.  Inexperienced job candidates are too quick to think that such experiences don’t count, but these stories will give employers an insight into your personality and character.  And while they can change your level of skill and experience, they know that can’t change your personality or character very much.

3.  Pick out a specific day or week or incident to focus on… and watch out for the warning signs that indicate you’re failing to do that. If you find yourself repeatedly using words like always, usually, generally, and sometimes, there’s a good chance that your story is too general.  If you’re asked a BBI question in an interview, and you respond with a general overview of a job or classroom experience, the interviewer often will follow up by saying, “Okay, but can you tell me about a specific time when you [had to handle conflict, overcome adversity in a team, etc.]?”  Often the interviewer will keep pushing until you do…. Or they will give up if you can’t deliver what they want within a reasonable amount of time.

Here are some good questions to ask yourself when attempting to come up with the best possible stories:
–What was my very best day in that job or activity? What was hardest day or week?
–What was my most challenging task?
–What was the biggest crisis I faced?  What “moment of truth” did I face?

4.  Make sure to walk us through the story step by step. After you’ve identified a pretty specific day or week or job task, then walk us through it step by step:
A.  Give us a quick, brief overview of the job or situation.
B.  Pick a specific moment in time when something caused a problem or conflict.
C.  Walk us through the situation step by step: What did you do in response?  What were you thinking as you dealt with it? What were you feeling?  What was the final outcome?

That’s a good rule of thumb if you feel like your stories lack depth or meat.  Remember the ABC rule of BBI stories.  You want your stories to have affective, behavioral, and cognitive details.  So dig deeper into describing your emotions (affective), actions (behavioral), and thoughts (cognitive) to help us understand HOW you got through this situation.  All too often, job candidates focus too much on the actions without getting us inside of their heads by incorporating their thoughts and emotions.  Some interviewers will pull your thoughts and feelings and specific actions out of you, but it’s much easier if you can just lay them out without being asked.

5.    Focus on YOUR role in the situation. There’s an old cliché that “There is no ‘I’ in TEAM.”  Well, the letter “I” appears THREE times in the phrase “behavioral-based interviewing”!  When you’re telling a story about a work or school team, make sure to describe YOUR individual role on the team—not just the team as a collective.  There are many ways to contribute to a team: describe what KIND of team player you are by spelling out roles in a team situation.

You don’t have to be the leader of the team.  Maybe you were the “glue” of the team—someone who was a peacemaker or liaison between two conflicting teammates.  Perhaps you were more of the outstanding individual contributor—the person who tirelessly worked to make the project error-free.  That’s good, right?   So be sure to avoid excessive use of the word “we” in your BBI stories; make sure you use “I” and highlight your role on the team—whatever it was.

6.  Don’t “use up” a job in just one story! Another problem with the more general stories is that you can use up a job in just one story… and you may need more stories later in the interview.  If it’s a job you’ve done well, there should be MANY stories from various days, customers, tasks, projects, and so forth.  Odds are that these stories can be used to highlight many, many transferable skills: ability to work under pressure; organization skills; ability to overcome adversity, and so on.

7.  Pick stories that show you at your best. One common mistake is to write a story as follows: “I was in a team in my Finance class at school, and we were procrastinating and not getting work done.  I finally said, ‘Hey, guys, we have to get this done.’  And then we started working and ended up doing a good job.”

While this is not a TERRIBLE story, it’s pretty mediocre.  Try to think about the experiences in your life that make you really proud when you consider how you overcame adversity, earned praise and recognition, or improbably exceeded expectations.  A few years ago, a Fortune 100 interviewer asked our students this question: “Tell me about a specific time when you failed at something and how you responded to that failure.”  A couple of students talked about getting a D or F on a first paper and then responding by working harder and getting, say, a C+ in the course.  Yawn…. Not impressive!  In contrast, another candidate talked about failing accounting despite going to office hours, getting tutoring, working harder, and so on.  The interviewers were impressed because it was obvious to them how much this failure upset him.  They were even more impressed when he talked about taking his accounting textbook to work every day the following summer so he could study during breaks.  He wrapped up by telling them that he finally retook the class and got a B+.  That was a great story: He showed that he DOES care about his grades, and he also showed the soft skills of persistence, initiative, overcoming adversity.

8.  Go beyond the specific story to describe lessons learned or “takeaways” from the experience. While your story needs to be grounded in a specific moment in time, one nice touch is to go beyond the ending of that story to describe what you learned from the experience.  For example, if you have a great story about how you calmed down an irate customer and sent them away satisfied, it would be even better if you described how you then went on to take steps to prevent such customer dissatisfaction in the future.  If your story showed how you knocked yourself out to meet a deadline, it would be great to describe how you went on to develop a process that would make such last-minute heroics unnecessary in the future.  Then you end up with a sharp, specific story that also shows some reflection and awareness of the big picture.

Great Student Examples of Successful Stories
Here are some great examples of stories from students I have worked with over the last few years.  My hope is that reading these stories will show you a couple of things: First, you can see that it’s possible to come up with great stories despite lacking sophisticated professional experience.  Second, notice how these individuals always get into specifics.  One good sign in these stories is when you don’t see usually and always and instead see “I remember one day when…” or “The toughest customer I ever had came in one Monday…” or other tipoffs that were talking about something that really happened at one “moment of truth.”

When I give a BBI assignment, I ask my students to list at least three transferable skills that each BBI story can demonstrate.  The goal is to understand that any rich, vivid story can be plugged in to prove any number of transferable skills, and it’s important to capitalize on the versatility of these stories.  I will comment on each story below so you can see how these individuals could use these stories to prove many different great qualities or soft skills in a real interview.

1.  With this story, one first-time co-op candidate, Rachel, wanted to show a Big Four accounting firm that she has demonstrated leadership skills.  Here’s what she used:

“Throughout my four years of high school I was the Class President.  Along with this title came many responsibilities such as fund raising and planning our sophomore semi dance, our senior prom, and homecoming dances, along with budgeting the money we raised for graduation caps
and gowns, yearbooks, and much more.

“It was hard to get other people besides class officers to help and dedicate their time for the class.  As our junior and senior year approached, we had many tasks to take care of and we needed as much help as we could get from class officers and other representatives of the class.  Our vice president for the class is a very good friend of mine.  However, he didn’t put more effort towards our projects than regular representatives of the class did.  This left me with much more work to do, and other people in the class angry that he was getting this Vice President title, yet they cared more about doing the work than he did.

“I was confused about what to do.  I didn’t want to hurt his feelings, but I had to tell him to step it up, and try to work harder.  During the fall of our senior year, when we were trying to figure out a few fund raisers that we were holding, our homecoming dance, our prom, and graduation, we needed everyone’s hard work and effort to get all of it done.  I was completely stressed out, trying to get college applications out, do my school work, and focus on the class’s activities.  A few weeks before the fall homecoming dance I took Will, our vice president, aside and told him that I didn’t mean to hurt his feelings, but I thought he could put much more effort into helping us and that I needed him to step it up as a class officer.  Luckily, he didn’t take it to heart, and really stepped it up to help out our other class officers, representatives, and myself especially.  I had always felt like I was the only one in charge, where he should’ve dealt with some of the responsibility as well.  I was glad to have solved this problem, which made my life—along with many others—much easier.  The lesson I learned from this is that sometimes you need to confront issues directly and in a solution-oriented manner as opposed to getting emotional or playing the blame game.”

Rachel chooses to give a little more overview to the situation before she gets to the “moment of truth” in which she has to confront a friend about his shortcomings.  Does she show good leadership skills?  Absolutely—much more than she would have by simply mentioning that she was class president and leaving at that.  What other transferable skills could Rachel prove with this story?  One is definitely problem-solving skills, which happens to be another soft skill Deloitte and Touche wants to see!  So that’s a nice double-dip story.  Additionally, this story could be used to show a results orientation, ability to handle conflict, and interpersonal skills.  When you have good stories, you look for opportunities to bring them up in any interview.

2.  Jared’s story below proves a useful point: Many first-time job seekers take their retail experiences for granted.  If you reflect on them, you’re bound to come up with an impressive incident.  Note how he jumps right in the phrase “One time…”—a good hint that we’re about to get a story of one especially challenging or interesting day or incident.

“One time at BJ’s Wholesale club where I worked, it was incredibly busy.  All the lines at the registers were filled almost to the middle of the store.  My supervisors were busy helping customers and the managers were too busy to assist customers.  My supervisor told me to take over some of her responsibilities.  She told me one of the freezers with dairy products was broken and that I needed to find one of the managers to fix the problem.  She told me afterwards to help a customer with a problem she was having.  I went to the produce section but the manager was busy.  He told me to get another manager to handle the situation.  This manager however, was unavailable to fix the freezer.

“I realized that the freezer would not get fixed for possibly hours.  I took matters in to my own hands.  I got three carriages from the parking lot, filled them with all the dairy products from the broken freezer, and brought them into the storage section of a nearby freezer.  After that solution was resolved, I found the very frustrated customer who was trying to buy a computer and was in a rush because she had to pick up her daughter.  The computer she wanted was not on the shelf but she wanted the one on display.  I had dealt with a situation like this before but with a supervisor’s help.  However, due to the chaos within the store I was told to handle the situation on my own.  I wrote down the codes of the computer she wanted, being unable to look it up on the system’s computer because it was being used.  I then went to the storage room and looked for the empty display box with the same code.  I found it, went back down to the display shelf, and packed it along with all its parts in the box.  I then assisted the customer bringing the computer to my register line, since all the others were filled and she was in a rush.  The manager said this was alright to do because she had been waiting for a long time.  After ringing up the customer’s computer, she thanked me and said that I had “saved her from a terrible day.  That was great, but I still recognized that we needed to revamp our system.  After talking to my manager, we decided to keep a ready supply of boxes nearby so we could package any displayed item quickly if necessary.”

Jared picked this story because he wanted to show the ability to handle multiple projects at one time—a qualification for a specific job that he was seeking.  However, that employer also wanted an excellent team player who is highly organized—two other qualities that this story captures.  It also could be used to show an ability to work independently, perseverance, and customer service—to name just a few qualities! That’s the power of a rich story—you show so much about yourself.

3.  This next story is one that Isabelle used to prove that she has outstanding customer-service skills.  Notice how injects plenty of emotion and descriptive detail to make the story really come alive.

“While I was working at The Beechvale Maple Syrup Co., a small family-owned farm and store, I had to deal with a lot of customers over the phone about regarding their orders.  This was mostly due to the fact that 80 percent of Beechvale’s business was mail and during the busy holiday season.  On one of these busy nights in December, the 20th to be exact, I received a phone call from a customer in California.  She was desperate to place a last minute order for a family member also in California.  Now, being located in New York and doing our order shipments through UPS, five days is necessary to guarantee a shipment to California.  Needless to say, the woman wanted the package delivered by Christmas.  I had to tell her truthfully that our last pick-up for that day had already left and if I sent her order out tomorrow (the 21st) I couldn’t guarantee it to arrive there by Christmas.  She sounded completely crushed when I told her this news, then suddenly I thought of a plan!  I asked her politely if I could call her back within the hour as I was going to speak to UPS regarding her situation.  I promptly phoned UPS explaining the situation.  I told them the name of our driver who normally came to pick-up our shipments and they actually gave me his cell phone number after hearing my situation!  Without delay, I called him up and it turned out he was only about ten minutes away finishing his route and was happy to stop back quickly!  I was so excited to be able to tell the customer her order could now guarantee delivery by Christmas!  Better still, I was able to tell my fellow employees how they could handle a similar crisis again in the future.”

This is a good customer service story, but it also shows out of the box thinking, communication skills, and problem-solving skills.  That’s a lot of mileage for a story that could be told within 90 seconds during an interview.

These are just a few great examples; I have heard dozens of them.  One Supply Chain Management employer still marvels at a student’s interview from a few years ago, when he took his job making sandwiches on campus and showed his amazingly logistical approach to doing the job to the best of his ability.  Two months ago, that same employer hired another student who had a few terrific stories from working in a bagel shop.  In the best one, she described how the shop’s soda supplier consistently provided them with too much stock.  She assumed responsibility for ordering the sodas, determining order size by assessing current inventory, previous sales patterns, and—my favorite—the weather forecast.  She was able to order just enough soda for their store each week, eliminating space issues caused by overstock as well as excessive accounts payable charges.  Best of all, she taught her system to the manager before she finished this summer job.

Stories like these are guaranteed to ensure that you will be remembered.  One final note, though: In my experience, nine out of ten interviewees are not very good at spontaneously producing great BBI stories off the top of their head.  So don’t try to wing it: Write out several stories in advance and think about how you might use them to prove various points in a given interview.  You may only use one or two stories in a conventional interview, but even one carefully planned and judiciously placed story can differentiate you for other candidates who are merely “good enough” to do the job.

Scott Weighart is a Senior Coordinator of Cooperative Education at Northeastern University and author of Find Your First Professional Job, Exceeding Expectations: Mastering The Seven Keys To Professional Success, and Learning From Experience: A Resource Book for Co-op/Internship Professionals. To learn more about these books, visit www.mosaiceyepublishing.com.

Final Internship Journal: 352 Media Group

Erin Everhart
Marketing Intern
352 Media Group

It’s the end of an era. OK, so maybe not that dramatic, but it’s definitely the end of something. Last week, I packed up my belongings and trucked out of 352 Media Group having successfully completed a marketing internship.

For four years, I’ve been doing nothing but journalism. And I’ve loved it. But for the last semester, I left my reporter’s pad at home and did something not journalism-related and did something I’ve never done before. Taking a marketing position at 352 Media was my biggest step out of the box. And since, everytime a journalist interviewer sees my resume, they question my decision to take a marketing internship when my passion for newspapers and magazines is obvious through the other lines under “Experience.” And everytime, I defend it.

Before starting 352 Media Group, I questioned if I really wanted to write for the rest of my life. I took it to get outside experience, but I walked away from the Web site design company thankful for my degree and the little extras I picked up that will make me a better journalist in the long run. I know a bit of programming and web design. I know how to market something, but better yet, I know how to market myself. I know SEO, keyword research and what really goes into being the No. 1 search hit on Google. It might not have anything to do with my major, but at least I can say I did something different.

Isn’t the point of college to learn as much as you can? For four years, you have the unique opportunity to throw the “student card” and explore companies to figure out what you want to do. Sure, 99% of the time, you’re not going to get paid. And that sucks, but at least you get some experience so when you are applying for a “real job,” you’ll have more than just a GPA and a waitressing job on your resume.

I’ve since landed a job (Yes, a recent grad fresh off finals has got a full-time job in this blistering economy: Yes, it is possible, but that’s for another post) as an assistant editor at Atlantic Publishing Company. And while “marketing” isn’t in my job description, I know that I’m not going to forget about what I learned at 352. Even if I’m knee in deep in editing a manuscript to be sent to publishing, I’m still going to need to know SEO and how to publicize on Google. Because let’s face it, we can’t do anything without the Internet.

I get “the question” all the time

By Jay Preble
Director of Public Relations
Tampa Bay Lightning

As director of public relations for the Tampa Bay Lightning, I try to accommodate every meeting request I receive from college students who are interested in working in sports public relations. Sometimes it’s just an “informational interview,” and sometimes the student is working on a paper for class. Without fail, the question is asked.

“What do I need to do to get a job in PR with a sports team?”

My somewhat hypocritical answer is always the same – “You have to do an internship to even have a shot.”

I’m a hypocrite because I got hired by the Lightning in 1996 basically because I was the right person in the right place at the right time. Though I was a Mass Communications (Public Relations) major in college, I caught the sports writing bug while still in school and went to work for a local newspaper upon graduation. When the Lightning joined the NHL in 1992, I ended up covering the team for The Associated Press. Four years later when the team’s VP of communications needed a PR person who could write and edit, I slid into my new career.

Most of you, unfortunately, aren’t going to get as lucky. We receive dozens upon dozens of resumes each season and many are from bright, hard-working college grads who would do well in the business. If we have an opening in our department, however, 95 percent of the time we’re going to hire someone we already know through an internship.

This is where it gets tough for most recent or soon-to-be college grads, because the market for sports internships (PR or other departments) is daunting. Most require extremely long hours (15-hour game days are commonplace in hockey) and provide little, if any, compensation. I’ve commented to many people that I never cease to be amazed by those college grads who find the means to move to a new city and work long hours for almost no money - just for the possibility of getting a job when the internship ends.

That said; if you’re one of those industrious types who can pull it off, and you’re a hard worker who “gets it,” I’ll do everything I can to help you get hired once your internship ends. We’ve had a pretty good track record at the Lightning in this regard, with some of our former PR interns currently holding the following titles:

Coordinator, Communications – Ottawa Senators (NHL)
Media Services Manager – San Antonio Spurs (NBA)
Assistant to the General Manager – Tampa Bay Lightning (NHL)
Public Relations Coordinator – Tampa Bay Lightning (NHL)
Assistant Director of Media Relations – Atlanta Thrashers (NHL)
Coordinator, Media Relations – Toronto Marlies (AHL)
Communications Coordinator – Columbus Blue Jackets (NHL)
Ticket Sales & Operations Manager – Depaul University (NCAA)
Manager of Internet Development – Nashville Predators (NHL)

Now, for the second part of my standard answer to the “how can I get a job??” question:

If you’re still in school and you’re convinced sports PR is your path of choice, do yourself a huge favor and walk into your school newspaper’s office. Ask for the editor, and tell him/her that you want to write. It doesn’t matter if it is sports, news, features or opinion/editorials - you need to know how to write and edit and the best way to gain practical experience in a short time is through a school paper or magazine.

The writing and editing in sports PR can be nonstop, from press releases to media guide bios to website features to letters from the president or general manager in the game program.

If you’re already a decent writer by the time you start your internship, expect to have some press releases thrown your way as a test of your abilities. If you pass the test and you’re a hard worker, you can expect my endorsement when your internship ends.

Editor’s Note: Jay Preble is the former Director of Public Relations for the Tampa Bay Lightning (NHL).

Experience Gaps

By Benjamin Rudolph

Director of Business Development

Search Discovery

Many college students want to try out a new industry, but they are frustrated because companies require related experience.  How can you get experience if you’re trying to break into something new?  The answer is to be creative.  The key is to find a local business where you can offer your services for free during school.  Then when you go to apply for a job in the industry you’re interested in, they’ll see that you have relevant experience.  No one ever asks how much you were paid for an internship.  They want to know what you did.  You should be willing to work for free.  In exchange you should ask that you are doing college level work (not doing administrative tasks) and get some interaction with senior management (aka people who make hiring decisions).  Most companies have projects that they put off because they don’t have enough time or resources.  You can be the solution.  

I am speaking from my own personal experience.  I actually got rejected for an internship at Cox Communications, the 3rd largest cable provider in the U.S.  However, I got along well with the person that interviewed me and kept in contact with him.  While pursuing my MBA at Emory University, I had the opportunity to do a directed study as part of my coursework.  Emory required that I had to find a professor to oversee my work, which was not hard.  They also required that I had to work on an MBA-level project, and there had to be a presentation to senior management at the end of the internship.  Cox had a suitable project, and I spent a semester going in on Fridays to help them out.  I was able to offer my services for free, and in exchange I got relevant experience.  At the end of the project, Cox had no job openings, but they recommended me for a similar job at the largest cable company in the U.S., Comcast, where I spent four years.

So where do you get started?  First, identify the type of job you’re looking for.  Then make a list of companies where you’d like to work.  The best places to start are friends and family, followed by alumni from your school, and your LinkedIn network.  If you don’t have a LinkedIn account, create one today for free and start building your network.  Don’t contact people asking for an internship.  Start by suggesting a brief phone call or coffee meeting to get advice.  During that conversation, you should mention your interest in the industry and your willingness to participate in an unpaid internship.  At that point, you can ask if their company would be interested and/or if they know of someone who might be able to help.  You should try to come away from every conversation with another contact in the industry.  Even after you find a job, you never stop networking.  

Working for free may not sound glamorous or economical.  Certainly you should only do what you can afford.  But breaking into a new industry is tough, and relevant experience will be critical.  Think of this experience as an investment in yourself.  It’s hard for employers to turn down free labor, especially during a slower economy.  And when things turn around, you’ll be in an ideal position to market yourself for a new job opening.

 

Benjamin Rudolph is the Director of Business Development at Search Discovery, an interactive agency that specializes in search marketing.  He also teaches a senior seminar called The Search Marketing Revolution at Emory University.  Search Discovery helps companies drive traffic to their websites, measure the results, and make design changes based on how customers interact with their websites.  

Following Up After the Thank You Note

Since I applied for my first internship in high school, I have listened to my parents tell me, “Finding a job or internship is half about what you know and half about who you know.” At the age of 16 I didn’t think about the weight of the advice they were offering. However, as I have gotten older and have had more extensive internship experience, I have noticed how on target they were. Keeping in touch with past employers and past interviewers has led to each of my following opportunities. And  when Lauren and I launched InternshipRatings.com, it was through contacts at previous internships and from networking events that led to discovering the members of our team. Following up and keeping in touch are two easy things that you can do for your career!

I encourage you to take Heather’s following-up  and keeping in touch tips to heart. I would like to extend these simple ways to stay on an employer’s radar to past employers and to past interviewers who may have not accepted you for a position. It is so important to keep positive relationships with these individuals, as you never know how they can help you in the future! Take a look at Darvika Sarin, the subject of a recent WSJ article, who was highly focused and followed through with each of her past summer internship employers and was  offered a full-time position for when she graduates!

–Stephanie

By Heather Huhman

Entry Level Careers Examiner

You’ve interviewed, sent your thank you note(s) and now you’re waiting (and waiting) for the call. I think waiting for the verdict after an interview is the worst part of the entire process. You’ve made it all this way—why won’t they just decide already?

The first way to help alleviate this feeling is to ask the following question during your interview: What are the next steps in the hiring process, and when and how should I follow-up? This way, you know if there will be yet another interview and/or when the organization expects to make its decision.

However, if you’re told you will hear from them within a week, for example, and it’s day eight, here are a few ways to make sure you’re still on their radar:

1. Send the hiring manager an interesting article. This is always a good tactic for follow-up. You reach out to your contact without “bugging” him or her. Read some industry publications—which you should be doing anyway—and pick an article on which you have an opinion and believe the hiring manager will also enjoy. The easiest way to send it is via e-mail with a short note about why you’re sending it, but you can also clip the article if you only have a hardcopy and send it via snail mail. Include a sentence about how you look forward to the possibility of working with him or her. 

2. Send the hiring manager a new portfolio item. Either create something new or hold something back during the interview process for situations just like this. I strongly recommend creating an online portfolio to house your work samples so you don’t have to send large attachments. Again, send the sample via e-mail with a short sentence about how you look forward to the possibility of working with him or her.

3. Invite the hiring manager to connect with you on LinkedIn. Even if you don’t end up being offered the position, you still want to remain in contact with the hiring manager because of the networking opportunities. So, this is a good tactic to keep in your back pocket for when you haven’t heard from him or her in a while. Make sure you personalize the invitation note.

4. Write a blog post that will appeal to the hiring manager. Perhaps sparked by something during your conversation or something important going on in your industry, write a post on your professional blog you know will appeal to the hiring manager, and send a link to him or her via e-mail. Don’t forget to add that one sentence in your short note!

5. If your industry has a networking or professional development event in the near future, ask if the hiring manager will be attending. Gently remind the hiring manager you’re waiting by sending a “hope to see you there” e-mail with details about the event and why you think it would interest him or her. And of course, throw in that sentence!

Whatever you do, don’t ever call, and don’t just e-mail asking if the decision has been made yet or inquire whether or not it will be made soon.

Internship Experiences for Fine Artists

By Christine Daves

Director of Career Services

Minneapolis College of Art and Design


I always tell students that we need to have two conversations before they graduate. One is about their artwork - how can we promote it and develop their creative, fine art careers. The other discussion needs to cover how can they support themselves while their fine art careers grow. Good internships can help students in both of these areas. While learning about promoting artwork, networking with professionals, developing new techniques, and gaining industry knowledge, interns gain practical skills that can be an asset during a job hunt.

Every year I encounter a few students that purposely avoid my office because they assume that the Career Services office only refers to traditional, 9-5, Monday through Friday, ugly cubicle positions. Of course, after studying fine arts for four intense years, a student’s post-graduation intention is to practice it! As fine artists consider their revenue-generating options (because everyone has to eat, and fine artists usually need to buy supplies, and pay back those pesky student loans) it is important to remember that their career can be as unique as their artwork.

That said, a career in fine arts does not promise to be easy. One cannot go to the Sunday paper and find many listings for “Fine Art Sculptor. Make your own artwork. Great salary, full benefits, and incredible 401k plan!” Thus, to secure futures as fine artists, art students need to gain the knowledge necessary to effectively promote their fine art. They also need to build skills needed for jobs that can support them. After all, if there is no income they can’t make any art!

Students should start by examining their personal career goals and understanding of success. They need to consider what type of lifestyle can support them physically and mentally (to eat and be happy). 

Once long-term goals are articulated, students can consider what types of internships will be most effective helping them reach their professional goals. Most important, is that the artist selects an internship that will allow them real experience. Sitting at a gallery and greeting patrons won’t be as valuable as an internship that includes preparing press kits, sorting slides, or packaging and shipping artwork.

So where might fine art students intern? The most obvious answer may be a gallery. Interning at a gallery or exhibition space can teach students about handling artwork, hanging a show, marketing artwork, reviewing portfolios or making curatorial decisions. Of course, working at gallery receptions is fun and offers a great resource for networking.

Assisting established artists - preparing canvases, researching marketing opportunities, creating press kits, or helping with a large installation - gives students a lot of one-on-one time when they can learn about the professional’s career. In addition to understanding the industry and available resources better, students can also find out how the artist built his or her career and what it takes to sustain it.

Many fine artists find themselves employed in arts administration after college. When interning with community art centers, public art councils, or artist support organizations, fine art students can learn about opportunities and resources for artists and how such programs are run. For example, while interning at an organization that provides grants to artists, a student may be involved in coordinating the review process or meeting with the jurors. The intern can observe how applicants present themselves and later use that information when he or she is applying for his or her own grants.  

There are a lot of internships available at museums. Students may benefit from working with a curator, fundraiser, archivist, registrar, historian, or outreach facilitator. Many museums and art centers have classes that teach art history, theory, or technique. Gaining experience as a teacher’s assistant can be beneficial in preparing artists to teach in any number of settings. If a student decides to pursue teaching as a career, such experience may help them get into to graduate programs.

Props for theater, media production, or retail spaces employ people with skills in painting, construction, carving, and a number of other techniques. Internships in these industries can provide students with relevant portfolio material to aid in their job hunt. In addition to scenery, artists with painting and drawing skills may be interested faux painting or murals. Many communities have projects with independent muralists and a team of people working together on a piece for a public space.

Other areas of potential relevancy include model-making (for architecture or product development); art criticism (assisting a critic or writing reviews); developing surface design for merchandise; patterns for rugs, wrapping paper, or stationary; tattoo design; storyboards; courtroom drawings; illustration; screen printing; concept sketching; interior planning; metal casting; floral design; and any number of other things. Basically, any visible, person-made, object has been touched in some way by a creative person.  Sometimes the creative person is an intern learning how to support his or her career in fine arts.

10 Important Phone Interview Tips

In preparation for a few summer internship phone interviews, I (Stephanie) consulted my career mentor Deborah Halliday from the Boston University Career Services (you can follow her @BU_Deb) for her advice. Below are a mix of her and my tips to help you succeed.

1.    Sit up straight, just as you would at an in-person interview. Your breathing will be more controlled, and you voice will sound better.

2.    Wear something that makes you feel “at work” or at least “in public.” The more professional and less casual you feel, the more you are likely to be in tune with the professional mood of the interview.

3.    Smile. It will be reflected in your voice, and make a big difference.

4.    Some important pieces of paper you may want to keep nearby so that they are accessible for answering questions : resume and/or cover letter, a short list of accomplishments (this is especially handy for the « Can you tell me about yourself ? » question), questions to pose to the company and notes you prepared about the company. Knowing that you can refer to these documents may put you at ease and foster better responses.

5.    Take notes. This is acceptable in an in-person interview also, but on the phone you have a bit more lee-way to scribble and look down while you do it.

6.    Anticipate and prevent distractions or interruptions, such as noise from the street, from someone entering the room, from a pet barking or meowing or from another phone ringing. If you are calling from Skype, make sure that you close every other window to avoid alerts from Google Chat or Apple Mail.

7.    If possible, use a land-line rather than a cell. A call that is breaking up can be a distraction and an annoyance, and fairly or unfairly, could reflect on you.

8.   Be sure to check the time difference, especially if you are overseas! Be relaxed, ready, and at the phone about 10 minutes before the call is scheduled to take place.

9.    At the end of the interview make sure you understand what the next step will be. For example, if they say, « We will be in touch. » you can ask them when you should anticipate hearing from them. It is also good to verify if they would like any further information, such as references or writing samples.

10.  Finally, send a thank-you note while it’s fresh in your mind !

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